R E V I E W S
Suspended in Amber CD

"Peebles creates an ethereal, mystical atmosphere, evoking a world of drifting images...it conveys a subtle sense of impermanence and of creative interplay of musicians whose level of sensitivity is uncommon in much contemporary expression."
- Leonardo Music Journal

"A fine balance of western and Japanese contemporary aesthetics throughout."
- Musicworks

"Music as timeless as the consciousness of Japanese rock garden"
- Canadian Electroacoustic Community -Contact!)

"Mantra music for the sonic soul."
- Santa Fe Sun

1. Leonardo Music Journal, Vol. 7, 1997

2. Contact! Magazine 11.1.1997 (Special)
   A publication of the Canadian Electroacoustic Community (CEC)

3. Eye Weekly, Toronto (November, 1996)

4. The Improvisor: The International Journal of Free Improvisation (Vol. XI, 1996)
   re: Japan Collaborations ("Suspended in Amber")

5. The Improvisor: Sarah Peebles: Visible Waves (Vol. XI, 1996)

6. Santa Fe Sun (May 1997)

7. The Wire (May, 1998)

8. The Beam, San Fransisco (November 1999)
   Japanese language review
   

   
   
9. The Classical Free-Reed, Inc. (August 2000)

Reviews of: Cinnamon Sphere | Hover | Insect Groove | Amber CD
108: Walking Through Tokyo at the Turn of the Century | Gathering
Performance Reviews, etc | Whose Forest? | Nova Journal
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